Thursday 15 December 2011

The Bluest Hands

The Bluest Hands



Author: Judith A Byfield
Edition:
Publisher: Heinemann
Binding: Paperback
ISBN: 0325070083
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The Bluest Hands: A Social and Economic History of Women Dyers in Abeokuta (Nigeria), 1890-1940



Women played a vital role in the Abeokuta indigo dyeing industry during the period 1850 to 1939.The Bluest Hands review. This period was particularly critical for the dyeing industry as legitimate trade and colonialism transformed the social, political, and economic context in which female dyers plied their trade. Women dyers engaged in a dynamic and fluid relationship with the colonial political economy that enabled them to navigate the many changes that accompanied colonial rule. Yet, as Byfield shows, there was a paradoxical side to this engagement. Women indigo dyers simultaneously shaped and were shaped by the uneven processes of colonialism and capitalism, with profound consequences both for women dyers and the Abeokuta indigo industry itselfRead full reviews of The Bluest Hands: A Social And Economic History Of Women Dyers In Abeokuta (Nigeria), 1890-1940 (Social History Of Africa S.).

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The Bluest Hands: a Social and Economic History of Women Dyers in Abeokuta (Nigeria), 1890-1940 (Social History of Africa)


The Bluest Hands: A Social And Economic History Of Women Dyers In Abeokuta (Nigeria), 1890-1940 (Social History Of Africa S.)
New Paperback.

The Bluest Hands : A Social and Economic History of Women Dyers in Abe
Author: Byfield, Judith A. ISBN-10: 0325070083

The Bluest Hands: A Social and Economic History of Women Dyers in Abeokuta (Nigeria), 1890-1940
Categories: Women->Employment->History, Dyers->Nigeria->Abeokuta->History, Women->Employment->History. Contributors: Judith A. Byfield - Author. Format: Paperback

The Bluest Hands: A Social And Economic History Of Women Dyers In Abeokuta (Nigeria), 1890-1940
New Paperback.



The Bluest Hands Reviews


This period was particularly critical for the dyeing industry as legitimate trade and colonialism transformed the social, political, and economic context in which female dyers plied their trade. Women dyers engaged in a dynamic and fluid relationship with the colonial political economy that enabled them to navigate the many changes that accompanied colonial rule. Yet, as Byfield shows, there was a paradoxical side to this engagement. Women indigo dyers simultaneously shaped and were shaped by the uneven processes of colonialism and capitalism, with profound consequences both for women dyers and the Abeokuta indigo industry itself.

As one of the few historical treatments of African craft producers, The Bluest Hands illuminates changes in the political consciousness and political activism of women dyers as they mobilized to protect their industry. Scholars interested in African history, art history, African politics, economic history, and women's studies will find much of value in this intriguing study.



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